Susan Haedicke, Deirdre Heddon, Avraham Oz, and E.J. Westlake. Political Performances: Theory and Practice. Rodopi, 2009.
- Pia Wiegmink. “Political Performances: Theory and Practice (review).” Theatre Research International. Volume 35, Issue 2 (July 2010), pp. 213 – 214. Available online. [may require subscriber login]
Kimberly Jannarone. Artaud and His Doubles. University of Michigan Press, 2010.
- Lara Cox. “Artaud and his Doubles. By Kimberley Jannarone. (Theater: Theory/Text/Performance). Ann Arbor: University of Michigan Press, 2010. 272 pp. Hb $55.00.” French Studies, Volume 65, Issue 4 (October 2011), pp. 550-551. Available online. [may require subscriber login]
Heather S. Nathans. Slavery and Sentiment on the American Stage: 1787-1861: Lifting the Veil of Black. Cambridge University Press, 2009.
- Felicia Hardison Londré. “Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black. By Heather S. Nathans. New York: Cambridge University Press, 2009; pp. x+275, 9 illustrations. $98 cloth.” Theatre Survey. Volume 52, Issue 1 (May 2011), pp. 185-187. Available online. [may require subscriber login]
- Judie Newman. “Heather S. Nathans, Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black (New York: Cambridge University Press, 2009, $99.00). Pp. xi+275. isbn 978 0 5218 7011 5.” Journal of American Studies, Volume 43, Issue 3 (August 2009), pp. 553-554. Available online. [may require subscriber login]
Erin B. Mee. Theatre of Roots: Redirecting the Modern Indian Stage. Seagull Books, 2008.
- Sreenath Nair. “Theatre of Roots: Redirecting the Modern Indian Stage. By Erin B. Mee. London, New York, Calcutta: Seagull, 2008. Pp. xviii + 412. £16.99/$29.95 pb.” Theatre Research International, Volume 35, Issue 03 (October 2010), pp. 303-305. Available online.. [may require subscriber login]
Peter P. Reed. Rogue Performances: Staging the Underclasses in Early American Theatre Culture. Palgrave Macmillan, 2009.
- Laura L. Mielke. “Rogue Performances: Staging the Underclasses in Early American Theatre Culture (review).” Theatre Journal, Volume 62, Number 4 (December 2010), pp. 703-704. Available online. [may require subscriber login]
Schanke, Robert A. Queer Theatre and the Legacy of Cal Yeomans. New York: Palgrave Macmillan, 2011.
- James Fisher “Queer Theatre and the Legacy of Cal Yeomans (review)”. FORTHCOMING, Theatre History Studies 32 (2012) .pdf available here Used with permission.
Andrew Sofer, The Stage Life of Props. University of Michigan Press. 2003.
- John Bell. “The Stage Life of Props (review)”. TDR: The Drama Review 49.2(T186) (Summer 2005): 161-162. Available online [may require subscriber login]
- Michael M. Chemers. “The Stage Life of Props”. Theatre Survey. 45.2 (Nov 2004): 319. Available online [may require subscriber login]
- Heather May. “The Stage Life of Props. By Andrew Sofer. Ann Arbor: University of Michigan Press, 2003. Pp. xiii + 278 + illus. $19.95 Pb”. Theatre Research International. 29:3 (October 2004): 289-290. Available online [may require subscriber login]
Bruce McConachie, Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. Palgrave Macmillan, 2008.
- Vanessa Ford. “Engaging Audiences: A Cognitive Approach to Spectating in the Theatre (review).” Theatre Journal 62.2 (2010): 303-304. Available online [may require subscriber login]
David Savran, Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class. University of Michigan Press, 2010.
- Randy Gener. “The Invention of American Drama”. American Theatre 26.10 (Dec 2009): 54-55. Available online [may require subscriber login]
- Mariis Schweitzer. “Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class”. The Journal of American History. 97.3 (Dec 2010): 844. Available online [may require subscriber login]
Diana Taylor and Sarah J. Townsend, eds. Stages of Conflict: A Critical Anthology of Latin American Theater and Performance. University of Michigan Press, 2008.
- Carla Beatriz Melo. “Stages of Conflict: A Critical Anthology of Latin American Theater and Performance (review).” Theatre Journal 61.3 (2009): 499-500. Available online [may require subscriber login]
- Jorge Huerta. “Stages of Conflict: A Critical Anthology of Latin American Theater and Performance.” Theatre History Studies 30 (2010): 254+. Available online [may require subscriber login]
Access the anthology’s accompanying website through www.hemisphericinstitute.org.
